Esoteric Philosophy

  • Asarualim the Gateway

    Asarualim the Gateway

    Let me disclaim this at the very top of the hour: The sigil shown here is not of ancient or Near Eastern origin, but was likely created in the 1970s by the authors of the Necronomicon.

    The Faux Grimoire

    There is a ton of controversy around the modern grimoire, Necronomicon, and plenty of disdain has been heaped upon it and all those who dare examine its working potential. Let me be clear:

    I don’t know. What I care about is enacting magic that works, as in gets the results I aim for and then sharing that magic with others who may be interested.

    Shall we carry on?

    Asaru-alim

    While Asarualim is the 11th name in the Book of Fifty Names within the Necronomicon, Asaru-Alim is one of the fifty names of Marduk from the Enūma Eliš. The latter is found in the text from tablet seven of Enūma Eliš.

    Allow me to butcher the Akkadian language before we get into things:

    • Asaru – to design, build, ordain, decree
    • Alim – mighty, powerful

    Typical stuff for an ancient god name; the supreme builder, one whose designs are mighty, etc. It turns out this name is a little more nuanced and interesting than the literal meaning.

    This title of honor is also a description of one of Marduk’s powers, to put it in simple terms. This deity was and is associated with Jupiter and is treated as an aspect of the Divine Father and is associated with wisdom, protection, justice, courage, power, and conflict, among other things.

    What’s in a name?

    In Enūma ElišIn the fifty names are titles given Marduk by the elder gods after his victory over Tiamat. The describe the deity in distinct roles or in the context of certain powers.

    In the Necronomicon each name is a facet of the deity’s nature or person, though some treat or perceive them as 50 distinct beings.

    My interpretation of the 50 Names of Marduk, derived from both texts and personal experience, is that they are:

    1. Names for interacting with the sphere of Jupiter and the archetype of the Father.
    2. Specific to contacting aspects of Marduk
    3. Vessels that can interact as stand-alone entities within ritual magical context.

    Obviously none of the listed items above are mutually exclusive and these could be three descriptors of the same entity or intelligence. There is also plenty of room for proponents of various magical theories, i.e. spirit model, psychological model, et al to argue about what is happening during interaction and subsequent magical operations.

    Operational Value

    In the magic or religious operations of Babylon (perhaps impossible to distinguish between in many contexts) one of the things Marduk, named Asaru-alim did was dispense wisdom and counsel – a perennial use of the father deity. A more interesting application of this power was and is to expose the hidden, reveal what is obscured, penetrate deception, compel the truth.

    Mesopotamian doctrine says a demon cannot be expelled until it is identified. Marduk was often asked to:

    • reveal the hidden affliction
    • show the hidden hand
    • make visible the invisible
    • bring forth the unseen spirit and make it give an account of itself
    • force a lying spirit to tell the truth

    This magic could be used to discern the cause of illness, isolate a troublesome thought form, identify a saboteur, expose an unwanted spirit in the home, reveal a psychic attacker, and so on. I use the name Asarualim in this manner, and for general insight and revelation.

    The name is also described as giving weighted counsel or to abound in counsel, making it appropriate for general guidance. I have found the Name and the intelligence it connects to very useful as an intermediary in divinatory work such as Runes, dowsing, and the Tarot.

    I also deploy the Name as a sort of gatekeeper and key to accessing other spirits and influences in the same environment. By environment I mean the spheres of Jupiter and Mercury – the latter being an additional correspondence to this particular Name – or the Book of Fifty Names within the Necronomicon.

    I suppose this needs clarification, even at the risk of redundancy:

    The entity of the Name, be it Marduk/Jupiter/the Father, an egregore, a servitor I have created, or some other spirit who has entered the vessel of the Name and answers to the word and sigil given in the Necronomicon acts as a point of contact for any of the other Fifty Names I have reached out to, and as an intermediary with entities of Jupiter and Mercury.

    I have also found it responds to the intelligences of Mercury and Jupiter. By responds I mean is easily summoned or engaged with when going through the aforementioned intelligences.

    /

    Example Procedure

    To experiment with these uses of this Name, you could do something along these lines:

    Raise a magic circle as per usual, to include the four elemental stations, be they Archangels, Watchtowers, Four Pillars, or any other method for calling four elemental creatures to the four compass points about your circle. Whenever I do this, often leveraging my four personal elementals along with four elementals from my locale requested through four local elemental rulers to call the four elemental beings I call by name to my compass points, I ask these beings to “Attune and fortify me” meaning dial me into the elemental frequencies and sort of prime my aura for further interactions with the four fields, and to “Endorse and Protect” both me and my work.

    What I just said about elementals in shorter, more coherent form. In my personal operations within the magic circle, to populate the four compass points with elementals I:

    1. Communicate with my four personal elementals; ask their aid.
    2. Call upon local elemental rulers by name; ask them to dispense – also by name – four local elemental spirits.
    3. Use this network of elemental energy to call the names of celestial and terrestrial elemental authorities. I use the hierarchy of Archangel > Ruler > Angel > King or Queen.
      • So for elemental water I would call the names Gabriel, Tharsis, Taliahad, Nixus.
    4. Having activated this hierarchy of names I then call the four named elemental spirits I have long used to come inhabit the four pillars of north/earth, west/water, south/fire, east/air.
    5. Thereafter I ask to be fortified, attuned, enforsed, and protected.

    If anyone cares, this method of elemental conjuration – which takes some setup time in determining names of personal elementals and identifying local spirits, obviously – creates a potent matrix of elemental energy then activates/charges that matrix through the attention of the celestial-to-earthbound hierarchy. By the time you call your four recurring spirits to the pillars there is a palpable energetic charge within and around the circle. It is worth the time and trouble that goes into the prelim work.

    Having the circle at the ready, burn some cedarwood or other incense and produce the sigil of Asarualim. Paper and marker are fine, and I have found walnut and birch wood are excellent conductors here.

    You can do a simple conjuration of Jupiter or Mercury using Heptagram, Hexagram, and your standard spirit, angel, or intelligence names to evoke the planet’s current. Thereafter anchor that current through the sigil and begin the verbal calling to the Name.

    “Asarualim!”

    Call attentively through the throat chakra. Repeat three times.

    BARRMARATU!”

    From the throat chakra and through the third eye. Repeat five times.

    This is one full sequence. Repeat this until you feel a connection.

    If my plan is to contact other entities using this Name I then add Asarualim you are the key and I call through you.”

    From here is is a quicker and more seamless process to connect with any of the other 50 Names I may utilize.

    Or upon connecting you can give Asarualim your task. Don’t ask like a prayer or command like its a bound spirit, simply instruct with polite authority and say thank you.

    A good initial use might be to grant clarity and discernment during the evocation of other spirits. The entity of this Name, as mentioned, is good for informing you of other entities in your proximity and can seemingly force communication from said entities.

  • Structure of Martial Power

    Structure of Martial Power

    There are moments in working with a Kamea when the numbers stop behaving like arithmetic and begin behaving like a language. The Square of Mars does this more readily than most. Its diagonals, in particular, speak with a kind of structural poetry — a pair of mirrored currents crossing through the heart of the square like two blades meeting at a single point.

    Energetic Scaffolding of the Mars Kamea

    Take the diagonals 3, 8, 13, 18, 23 and 11, 12, 13, 14, 15.
    Before we consider the center, remove the 13 from each line. What remains is a revelation of structure:

    The outermost numbers sum to 26.

    The inner numbers also sum to 26.

    This happens on both diagonals.
    Two pairs per diagonal.
    Four pairs total.
    All resolving to 26 — the sum of the first and last numbers of the square, the breadth of the Martian current, the arc from initiation to completion.

    This is the square showing you its full span.
    This is the cycle of beginning and ending, force and fulfillment, encoded twice over.

    Multiply that base of 26 by the order number of the square (5) and you arrive at 130, the sum of two rows — the doubled backbone of the Kamea. When both diagonals encode 26 twice, and both diagonals cross through 13, these lines reveal themselves as the structural brace of the square, the two supports that hold the Martian edifice upright.

    The Power at the Center of the Magic Square for Mars

    Removing the 13 for a moment is appropriate, because it belongs to both diagonals equally. It is the crossroads, not the road. Yet 13 refuses to vanish. It is half of 26. It is the physical center of the square. It is the sequential center of 1 through 25, with twelve numbers on either side. Reduced, it becomes 4, the number of foundation and solidity. Multiply 13 by the order number and you get 65, the magic constant. Multiply it by 25 and you get 325, the total sum of the Kamea.

    Thirteen is not merely the center — it is the keystone.
    It is the hinge on which the entire square turns.

    When we restore the 13 to each diagonal, the pattern deepens. One diagonal is a perfect sequence: 11, 12, 13, 14, 15 — a rising spine of integers, a ladder of cohesion. The other diagonal moves in steps of five: 3, 8, 13, 18, 23 — the pulse of Mars, the rhythm of the square’s order number echoing through each step.

    Basic Numerology and Planetary Magic of Mars

    Reducing these numbers to their Pythagorean roots reveals the deeper symmetry:

    Right diagonal: 3, 8, (13→4), (18→9), (23→5)
    Left diagonal: (11→2), (12→3), (13→4), (14→5), (15→6)

    Remove the center again and add the pairs:

    Right diagonal: 3+8 = 11, and 9+5 = 14 → 5

    Left diagonal: 2+3 = 5, and 5+6 = 11

    Each diagonal produces a 5 and an 11.
    But they appear in opposite order:

    Right diagonal: 11 – 13 – 5

    Left diagonal: 5 – 13 – 11

    A perfect mirror.
    A left–right inversion.
    Two currents crossing through the same center, each carrying the same energies but in reversed sequence.

    This is not numerology as decoration — this is numerology as structural revelation.

    The magical constant of the square, 65, reduces to 11.
    The two 5s reduce to 1, the Alpha, the First, the Dominant.
    The two 11s reduce to 2, and together they form 4, the root of the central 13.
    Combine the root of the 5s (1) with the root of the 11s (4), and you return to 5, the order number of the square.

    The diagonals reproduce the entire architecture of the Kamea:
    1, 4, 5, 11, all orbiting the central 13.

    This is resonance.
    This is coherence.
    This is the square revealing its internal skeleton.

    And this mirrored brace of 5 and 11 crossing through the 13 is not limited to any single operation. It is a universal structural key within the Square of Mars — a pattern that can be used in the construction of servitors, the crafting of talismans, the shaping of sigils, or any working that seeks to anchor itself in the disciplined, forceful, and integrative current of Mars.

    It is the square showing you how it holds itself together.
    What you build from that understanding is entirely up to the operation you choose to perform.

    Use the Square of Mars To Build the Red Hammer Servitor

    CLICK HERE TO LEARN MORE

    Magical Servitors of Mars
  • Magical Workflow

    Magical Workflow

    Definition and Diagram of a Magical Operation

    A magical operation—sometimes called a “magical working”—is a comprehensive, goal‑oriented process of magical activity. It is an undertaking directed toward achieving a particular result, executed in its entirety from initiation to completion.

    It is more than a magical technique, may be informed by or feed into a magical method, and typically functions as part of a larger magical system. None of this terminology is perfect, nor is it universally recognized among practitioners.

    components of a Magical Operation: Breaking down spell mechanics

    To build anything it helps you to know what the thing being built is made of. The components of a magical operation are magical acts and techniques.

    Magical techniques are built upon fundamental movements and intentions. The foundation for these nuts and bolts is desire, intuition, and purpose; the structure is added by basic knowledge.

    It Begins with the Paradigm

    When you begin to study and practice magic, typically your first steps are reading a few pages or watching a video to get oriented. This gives you a general idea of the paradigm – or model – maybe a definition or two, and a direction to move in.

    This initial exposure and ongoing learning give you the knowledge to dress the desire and purpose you probably had before you picked up your first magical book. Your intuition, which led you to the book you chose over the other options, helps you make sense of the sometimes-strange new things you are learning.

    You don’t need to memorize this. It’s included for the sake of thoroughness.

    foundational spellcraft: Fundamental Intentions and Movements of magic

    These are the nuts and bolts that make techniques.

    Fundamental Intentions

    Examples of fundamental intentions include positive expectation, or setting your mind to anticipate the desired outcome and holding that. Emotional generation is another good example, wherein you deliberately produce an emotion like joy, fulfillment, anger, or any other emotive condition and sustain it.

    Intentions shape the internal conditions techniques rely on.

    Fundamental Movements

    Magic is by no means constrained to the mind and emotions. Nor is the body’s participation limited to the processing of feeling states and verbal components.

    Magical work often involves physical effort and activity. Obviously, there are tasks like drawing symbols and lighting candles. There are also special techniques like using a wand or crystal point to direct magical currents or using your hands and posture to channel and project energy, perhaps while holding a mineral to harness and move the energy.

    Movements elevate intentions and seal them into the work.

    When building your operations you can of course draw from existing techniques or movements, like the ones found in this book. You may find that you want to revise existing techniques or just come up with your own from scratch.

    A valid fundamental intention or movement will naturally feed into a technique. Any potential intent or motion you wish to build from should do one of the following:

    • An intention should be progressive and/or directional, either pointed to an outcome or setting up a movement, or both.
    • A movement should involve more than physical motion, and should transfer or direct thought, emotion, subtle energy, or magical forces.

    Be sure any foundational thought or motion you plan to use for building a technique satisfy the above criteria.

    Magical Techniques

    Afte the fundamental pieces, the base building blocks of magic are the techniques. Look at how the examples from the previous section form a chain of intentions that build a technique.

    1. You focus the mind on the desired outcome.
    2. Next you choose to make this an expectation or foregone conclusion.
    3. You then create the emotions of satisfaction and elation.
    4. You hold these states in the body and dwell upon or even within them to charge your expectation with power.

    A couple of things happen naturally from there. First of all, sustained emotions impregnate the body and become feelings, a more potent expression of emotive qualities. Second, the culminated feelings led by the initial expectation are transferred into projected intention underpinned by affirmative expectation, which is the most basic form of magical will.

    Together these steps make the techniques of noetic adoption and affective induction. Noetic adoption occurs after step two and is defined as deliberately taking on a premise with the intent of treating it as real, i.e. to believe it. Once the emotions are engaged and become sustained feelings you are executing the technique of affective induction.

    You don’t need to memorize these terms. It’s enough to identify the specific technique, then practice and improve it.

    Let’s sequence some physical movements along with basic intentions to build another magical technique.

    You could trace the pattern of the pentagram of fire in the air with a wand or crystal point while focusing on the energy of the fire element. This combines movement and intention into a complete technique for connecting to elemental fire.

    A magical technique represents a full step from point A to point B. The completion of a technique represents a micro process that accomplishes a magical task or creates a magical effect.

    In the example of the pentagram of fire, the magical technique completes the task of drawing the conjuring or invoking pyramid. The created effect is the quality of elemental fire emerging in the environment or responding to your contact from a subtle plane of reality.

    The tasks and effects generated through magical techniques are often progressive grades moving towards a desired end result. On the occasion that a technique also creates part or all of the magician’s desired end result, the technique serves as a magical act or operation.

    When evaluating a technique you are considering or formulating a technique of your own, ask if the sequence of intentions and movements produce a magical effect or fulfill a specific magical task.

    Magical Acts

    Magical techniques are combined and sequenced to form magical acts. An act is a single, short process with a definite objective.

    This differs from a technique, which completes a task or generates an effect. A task is a component of work, which in turn is activity towards an objective, and an effect is an event or state that contributes to an objective. An objective is a higher order of resolution than either a task or an effect and is one step towards attaining a magical desire or completing a magical goal.

    Consider the previously mentioned technique of using the pentagram to contact the fire element, which can be drawn in two ways. Both manners of drawing connect to elemental fire, but one carries the intent to call it forth while the other contains the desire to expel it.

    Building a Magical Act with Techniques

    For example purposes assume the intention is to conjure fire and use its energy.

    1. Trace the pentagram in the air with a crystal point, beginning from the topmost point and making the first line down to the lower right point (attributed to elemental fire). As you make the line send vital energy or life force down your arm and into the crystal, then send it through the crystal into the line it traces. To send vital force simply intend to do so and push your intentions to make a line of energy along the path described. See a line of red or orange light form where the point traces. Complete the pentagram by making the next four lines while opening your solar plexus chakra and focusing on the fire element. When done, visualize the pentagram of light in the air in front of you.

    This is one technique. Now let’s add a couple more to form an act.

    1. Draw an equilateral triangle (standard, all sides equal length) in the middle of the pentagram. See the triangle appear in lines of flame as you trace it. Shift from focusing on fire to assuming a connection – do this by creating the felt-sense of belief that you are communicating with elemental fire; transfer the felt-sense into your solar plexus.
    2. Then raise the intensity of the fire energy with your intention. Put some emotion into it. Liken this to playing a song with a musical instrument and adding feeling to every note struck.
    3. While clearly seeing the red pentagram with the fiery triangle in the middle before you, pierce the center of the triangle, which is in the center of the pentagram by thrusting your crystal point through it. Understand this configuration represents the quality of fire as a subtle energy raising into your body and aura. As your crystal passes through the center of the image say “Ignus Ortus!” (fire rise) and feel the energy of fire radiate from your center through your entire body and out into your aura to form a blazing egg about you. Let the pentagram, triangle, and flames around you vanish from sight, but know the energy conjured remains.

    This is a complete magical act with the purpose of invoking, or bringing into the magician, elemental fire. It is performed through three techniques.

    The three techniques used were:

    1. Tracing the pentagram of fire to make contact with the element.
    2. Tracing the triangle of fire to establish command.
    3. Piercing the triangle and star to call the fire into yourself.

    You can clearly see the various intentions and movements that make the techniques. To draw the pentagram required projecting vital force impregnated with intention, making a deliberate stroke with the crystal point, seeing the line of light form as you traced it, and holding the intention to connect with the fire element. This sequence was combined for all five lines of the pentagram drawing technique.

    Each full technique is composed of multiple fundamental intentions and movements.

    Intentions and Movements > Techniques > Act > Objective.

    The objective for the full pentagram of fire act is to usually to bring the energy of elemental fire into the aura and body of the magician; it can be modified to bring the fire energy into the immediate environment but not into the acting magician.

    Be sure any magical acts you create or adopt accomplish a magical objective.

    Magical Operations

    The magical operation is the crown atop the magical hierarchy of work. It is the main working part or method within a methodology, or framework of operation. As such, an operation is the building block of a magical system.

    Relevant magical operations are deployed through specific magical methodologies. Methodologies are strategies executed within a magical system.

    You don’t need to memorize the relationship of operations to methodologies and the latter’s role inside a magical system. This information is relayed solely to orient you to the larger schema involved with magical practice. If you advance to the point where these things matter, you will have been exposed to the concepts beforehand.

    The purpose of a magical operation is to fulfill a magical desire or achieve a magical goal.

    A magical desire is something you want for yourself or someone else in the context of your life. More money, better health, a new doo-dad, the answer to a question, the right opportunity, victory over an adversary, are all examples of events or circumstances you might desire and fulfill through magic.

    A magical goal is a complete outcome, but in the context of magical work or esoteric and spiritual development. This could be as lofty as contacting an ancestor or travelling to the astral plane or it could be as simple as banishing energetic debris, ill thought forms, and unwanted spirits from your persona and/or environment.

    Returning to the magical act of the fire pentagram, let’s say your goal is to infuse yourself with all four elemental energies prior to a ritual or meditation. In this case you would perform three more invoking pentagrams using the elements of water, air, and earth.

    The four magical acts of drawing and piercing the elemental pentagrams would be done in a particular order. You might face the compass direction that corresponds to each element while enacting each pentagram. This would constitute the operations of invoking all four elements.

    If your goal was simply to invoke the fire element and then proceed with a ritual – the next magical operation within a larger operational schema – then the pentagram of fire act would serve the purpose of magical operation. A magical act fills the role of magical operation when it completes a magical goal or fulfills a magical desire.

    Your magical operations should be aimed at fulfilling a desire in the real world or achieving a goal within magical work.

    An Imperfect Language

    The metaphysical grammar of this structure is solid and tight, but the everyday language we use to describe it is less than perfect. These guidelines should not be treated as rules or dogma.

    While the workflow holds up under most circumstances, there are contexts where the distinctions between components naturally blur. Ultimately, what defines a movement, technique, act, or operation is determined by how the practitioner applies it.

    A single magical act can function as a complete operation if it fulfills the magician’s intended purpose, i.r. fulfills a desire or accomplishes a goal.

    A technique can stand alone as a magical act if it completes an objective. It is only a technique when its result leaves further work to be done by completing a task or creating an effect that contributes to but does not finish an objective.

    Even a fundamental intention or fundamental movement can serve as a magical act if it accomplishes the same functional need of completing an objective. In that role—as an act—these smallest units of magical effort can constitute a full operation when they finish operational work by fulfilling a complete desire or achieving a magical goal.

    Breakdown of resolution terminology for magical work

    The following unpacking restates and defines the terms used in this article to refer to different endpoints in magical work. This is not standard canon across magical literature, though it or something like it should be.

    outcome – general term encompassing any points of resolution

    directional – in this context, moving forward or towards the next outcome level

    task – small action-resolution, outcome of technique and one phase of an act

    magical effect – one step towards or unit of creation, change, or preservation

    magical objective – resolution or endpoint within magical working, end of one phase or step within greater session of work

    magical goal – the endpoint or fulfillment of magic within the context of magical work; for esoteric magic can be the final resolution; in practical magic the completion of one part of the work being done towards the magical desire

    magical desire – the ultimate purpose of the magical working, i.e. what the user wants to have, do, be, or see happen in the world or within the self

    I will always use the words above as defined here to maintain consistent dialog across channels. The utter lack of uniform, coherent language across magical instruction in content is appalling; basically what uniformity exists is tied to terms and definitions from the 19th century with a handful of 20th centuries catch-ons. Maybe together we can set some new standards along these lines.

    Hierarchy of Magical Work and Aligned Targets

    The table below shows how each working part relates to a specific outcome.  

    Fundamental Movement or IntentionDirectional, moving towards outcome or setting up next movement; transfer energy.
    Magical TechniqueCompletes a task or creates a magical effect.
    Magical ActComplete magical objective.
    Magical OperationFulfills magical desire or achieves magical goal.
  • Logic and Lattice of Mystery

    Logic and Lattice of Mystery

    In the world of occult wisdom and esoteric philosophy much is conveyed without words. There are two reasons for this, which are the sides of the same coin.

    First, concepts are encountered along the Path of Mysteries that one is not epistemically able to articulate with words, yet still feels deeply, genuinely, and confidently. Spiritual insight, inspiration, revelation, received intelligence, and gnosis (spiritual or energetic wisdom) are some of the experiences an occultist may have in place of a mechanical, intellectual understanding of a principle, axiom, idea, or experience.

    In time intellectual knowledge and material understanding may emerge. Or it may not and the seeker is left to feel, intuit, act, and simply know aspects of experience and development.

    The second reason something may be conveyed without words is the simple fact that no words exist to properly capture the information. This is going to happen in the context of willfully interacting with the unknown and unknowable, of which magic is a part.

    Recall the very definitions of the Art we study.

    Occult means hidden.

    Esoteric is defined as intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

    The umbrella under which the magic of European and North American ancestors is grouped is called the Western Mystery Tradition.

    By nature and definition we engage in studies that will not always generate material understanding. One should become comfortable with this truth.

    A verse that helps me with this comes from Lao Tzu:

    Ever desireless one sees the mystery. Ever desiring one sees the manifestations.

    This text does not directly apply to the topic of this post. Perhaps unironically, however, the lesson within the verse sits adjacent to the kind of fulfillment we seek with our desire to know the unknowable.

    The essence of what Lao Tzu says is “close enough” to apply.

    The deep need to intellectually comprehend the incomprehensible will create neurosis and allow us to see factors and outcomes. Letting go of this egoic demand lets us see with clarity that thing we cannot define.

  • Transliminality and Threshold Consciousness

    Transliminality and Threshold Consciousness

    The magician is called through his or her studies to be at once aware of the day-to-day self in this material realm and the higher dimensions of self active in the subtle worlds.

    One Foot in this World, One Foot in the Other World

    This is the goal of the magician and the topic of this article. Align consciously with your personal energetic matrix, love and care for it as if it were a living person, and then intentionally attune to and align with the universal energy matrix.

    A refined personal energy matrix will naturally align with and attune to the universal energetic matrix. It should be obvious how such a condition will benefit and empower magical undertakings.

    The more open your energy pathways and the more refined your overall energy pattern, the more easily magical and other energy can pass through your being. This includes your physical state of health, as a fit body is a better conduit than a weak or sick physical form.

    Of course it is sometimes true that we must compensate in one way or another. Those with physical issues that prevent or limit good health must heighten other aspects of themselves to compensate, just as those without a strong connection to the subtle may compensate to a degree through the pursuit of increased physical wellbeing.

    None among us is likely to be a perfect specimen nor is this necessary for magical work. These are advanced concepts that many practitioners will never touch, and yet they will continue to make effective magic.

    The more clear and robust your connection to universal energy, the greater ease and potency for drawing power from the arcane sources and cosmic currents. As stated you are the doorway through which universal influences enter the lower worlds and enact your magical will.

    Therefore anything you can do to strengthen the conscious link between the physical, etheric, and astral bodies, to align these bodies more precisely or become more aware of them, will aid your magical progress.

    Consider the following:

    • Meditation
    • Mantra or Chanting,
    • Mudras or other hand seals and finger gestures
    • Energy channeling such as Aikido, Reiki, or Tai Chi

    The above are all effective exercises for empowering the aforementioned areas.

    Crystals are also superb tools for toning and refining the energy bodies. Here are some examples:

    • Clear quartz can cleanse, raise the frequencies of, and protect your energetic bodies. Amethyst and citrine do the same plus offer additional benefits.
      • Amethyst also enhances receptivity, intuition, and awareness of subtle currents.
      • Citrine cleanses and strengthens the manifestation channel of your middle pillar, improving your ability to manifest your intentions. While not always explicitly stated, this means (with a slight shift in focus and intent) the crystal also enhances your ability to astral project or mental project by cleansing the liberation channel of the middle pillar.
    • Ruby zoisite generally tones and makes your energy bodies stronger.
    • Amazonite aligns and strengthens the bond between your etheric and physical bodies plus enhances communication or transfer of energy between your physical, etheric, and mental bodies. This stone also empowers manifestation.
    • Labradorite seals your aura, anchors and harmonizes your energy bodies together and raises your subtle energetic frequency. This crystal enhances manifestation ability also.
    • Selenite raises your subtle frequencies and cleanses your energy, even neutralizing blockages and ill thought forms.
    • Hypersthene strengthens your ability to generate morphogenic fields for manifestation and makes the charged fields generated stronger themselves.

    There are a ton of other stones and crystals that can help your magic also. Check out the book Stone and Crystal Combinations that get Results for a unique take on magic with crystals and stones.

    I will follow this post up with additional exercises and methods to improve energetic awareness and connectivity.